Local weather activists in Austria on Tuesday attacked a well-known portray by artist Gustav Klimt with a black, oily liquid and one then glued himself to glass defending the portray’s body.
Members of the group Final Technology Austria tweeted that they had focused the 1915 portray Demise and Life on the Leopold Museum in Vienna to protest their authorities’s use of fossil energies.
After throwing the liquid on the portray, which wasn’t broken, one activist was pushed away by a museum guard whereas one other glued his hand to the glass over the portray’s body.
The group defended the protest, saying in a tweet that they had been protesting “oil and gasoline drilling,” which they known as “a loss of life sentence to society.”
In a video of the incident, which the group posted on-line, one of many activists will be heard shouting that “we have now recognized about the issue for 50 years — we should lastly act, in any other case the planet will probably be damaged.”
“Cease the fossil gasoline destruction. We’re racing right into a local weather hell,” he went on.
After the assault, police arrived on the museum and the black liquid was shortly cleaned off the glass defending the portray, Austria Press Company reported.
No hurt to portray
Regardless of thorough controls on the museum’s entrance, the activists succeeded in bringing the liquid inside by hiding it in a scorching water bottle underneath their garments, the company reported.
The museum’s restoration crew stated later that whereas the portray itself hadn’t been harmed, the harm to the glass and safety framing, in addition to to the wall and flooring, was “evident and vital,” APA reported.
Hans-Peter Wipplinger, the director of the Leopold Museum, informed APA that the issues of the local weather activists had been justified, “however attacking artistic endeavors is certainly the mistaken method to implement the focused objective of stopping the anticipated local weather collapse.”
He appealed to the group to seek out different methods to make their issues recognized.
Criticism of protest kind
Austria’s tradition minister additionally expressed understanding for “the issues and in addition the desperation” of the activists, however criticized their type of protest.
“I don’t consider that actions like these are purposeful, as a result of the query arises whether or not they don’t relatively result in extra lack of knowledge than to extra consciousness of the local weather disaster,” Andrea Mayer stated.
“From my standpoint, accepting the chance of irrevocable harm to artistic endeavors is the mistaken method to go,” the minister went on. “Artwork and tradition are allies within the battle in opposition to local weather disaster, not adversaries.”
The Klimt work is an oil on canvas portray within the Artwork Nouveau model depicting loss of life on the left aspect and a gaggle of partially bare, hugging individuals on the proper aspect. It is one of many newest items of artwork to be focused by local weather activists to attract consideration to world warming.
Totally different activist teams have staged quite a few demonstrations in latest months, together with blocking streets and throwing mashed potatoes at a Claude Monet portray in Germany.
The British group Simply Cease Oil threw tomato soup at Vincent van Gogh’s Sunflowers in London’s Nationwide Gallery final month.
Simply Cease Oil activists additionally glued themselves to the body of an early copy of Leonardo da Vinci’s The Final Supper at London’s Royal Academy of Arts, and to John Constable’s The Hay Wain within the Nationwide Gallery.